 
			 
	The VENICE camera is Sony's first full-frame sensor high-end digital cinematography camera. It is unmatched in the Sony range for the wide array of recording formats it supports, and features Dual Base ISO 500/ISO 2500.
 
							 
						Something I’ve always loved about the VENICE is the color rendition. I feel that the colors are very well separated, even in low light.
Lyle Vincent, Cinematographer
 
						Optional High Frame Rate License
- 120fps at 4K 2.39:1 
- 110fps at 4K 17:9 
- 90fps at 6K 2.39:1 
- 60fps at 6K 3:2 
- 72fps at 6K 1.85:1 and 75fps at 4K 4:3 with anamorphic license 
- 72fps at 6K 17:9 
 
						More Colors For More Expression
Beautifully reproduce the true color of the scene in front of your lens
- VENICE can exceed Rec. 2020 color space 
- Color range is wider than DCI-P3 
- Sony’s third-generation LOG gamma encoding (S-Log3) 
 
						Phenomenal Latitude
Unprecedented creative freedom in grading
- 15+ stops of latitude 
- From searing sunlight to almost no light 
- Excels at High Dynamic Range imaging 
 
						World’s First 8-Step Mechanical ND Filters
- Servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis 
- ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops) 
- Reduces time lost on set changing external filters 
 
						Rialto Extension - Unlimited Versatility
- Extend the sensor block up to 18’ away from the camera body 
- Shoot in tight and unconventional spaces 
- Ideal for use with gimbals, handheld stabilizers, underwater housings and 3D/VR rigs 
 
						Dual Base ISO
- Base ISO 500 provides optimal dynamic range for typical on-set lighting 
- High Base ISO 2500 excels in low-light High Dynamic Range capture 
- Exposure latitude from +6 to -9 stops under 18% Middle Gray 
 
						Flexible Lens Mounts
- 
    PL Mount: Compatible with all Super35 and full-frame PL lenses, spherical and anamorphic 
 Supports Cooke/i Technology
- 
    E-Mount: Iris operation is controllable via assignable button 
 Lever lock operation for more security
 
		 
		 
		 
				 
						 
				 
						 
		 
				DC24 V (22–32.0 V)
E-mount (lever lock type, without supplied PL lens mount adaptor)
XAVC 4K Class 300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class 480: 23.98p, 25p, 29.97p
XAVC QFHD Class 300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422 (1920 x 1080): 23.98p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 4444: 23.98p, 24p, 25p, 29.97p
6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
24 V: Fischer 3 pin x 2
SD card slot x 1
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